Piaget Observation - 1518 Words

Cognitive Development: Transition between Preoperational Concrete Stages Piaget believed that human development involves a series of stages and during each stage new abilities are gained which prepare the individual for the succeeding stages. The purpose of this study is to evaluate the differences between two stages in Piagets Cognitive Development TheoryÂâ€"the preoperational stage and concrete operational stage. Cognitive development refers to how a person constructs thought processes to gain understanding of his or her world through the interaction of genetic and learned factors. The development of new cognitive structures (mental maps or schemas) will be a result of the individuals ability to adapt through mental processes such†¦show more content†¦The power of suggestion, which is how a person says something, demonstrated that Adriana was easily persuaded to change her mind. When the experimenter performed task two and three, he asked her why she thought the amounts were the same and she simply explained what she saw visually, but she always looked for confirmation in her answer from the experimenter. Adriana was then asked about where she thinks dreams come from and she said they were scary. She couldnt mentally come up with any other reasons of where she thought they came from, which demonstrated her inability to think abstractly or logically. Isaac was able to agree on each task that initially all the quantities were the same, but was easily influenced once the pennies were moved, the water was placed into a different size glass and the clay was rolled into a different size shape. He thought the row of pennies that was spread out had more pennies, the glass that was taller had more water and the clay that was rolled out had more clay. When asked why he thought there was more, he used concrete physical descriptions about what he saw such as the glass was taller or of a different size and that the clay was longer. This demonstrated Isaacs inability to conserve and that he is indeed in the preoperational stage, as Piaget suggests. When presented with the last task, Isaac first said he didnt know and then once the experimenter encouraged himShow MoreRelatedEssay Critical Thinking Quiz1626 Words   |  3 Pagesfor you. FALSE1. Observation skills are learned mainly through book learning. Support for Answer: On the contrary, observation is learned from participation, which is more active and spontaneous than reading. Samuel Scudder learned observing through the active coaching of his teacher Agassiz as well as from his own efforts, curiosity, and persistence in studying his fish. TRUE 2. The standard academic study of all the physical sciences requires observation skills, whether inRead MoreObservation Research For Children And Young People Essay1671 Words   |  7 Pagesdifferent angles that influence naturalistic observation research method with children and young people. It uncovers unknown phenomena and behaviors; it would be difficult to follow people without discovery, and it would also be unethical to observe without their consents. The collection of data is without manipulation of the environment, however, there are influencing factors like ethical, political and social-cultural issues that imposed challenges on observation research with children and young peopleRead MoreEssay on Child Development Observation1013 Words   |  5 PagesIn this assignment I am going to describe a child observation that I have done in a nursery for twenty minutes in a play setting. I will explain the strengths and weaknesses of naturalistic observation through the ke y developmental milestones based in Mary Sheridan (2005) check-list and provide a theoretical explanation to support the naturalistic observation. First of all I would like to explain why the child observation is important for social workers. It is important because it focus on theRead MoreStudent Observation Report Essay1012 Words   |  5 Pages Confidential   The names in this Observation Report have been changed to protect the privacy of the parents and the child. Student’s Name : Calvin Sex : Male Place of Observation : Inside the classroom of County Preschool. Time of Observation : In the morning, 10.30 a.m. and it was a sunny day. General View : †¢ The classroom was pretty well organized ( clean, tidy and many facilities inside such as books, games, a computer and so on ) †¢ It was a pretty large group in theRead MoreEnglish Classroom Observation Report1549 Words   |  7 PagesThis section of the project is divided in three areas: ï  ¶ General considerations: I have drawn my empirical data from the observations carried out in a Kindergarten I have been observing since March. Regarding the English teacher, she has utter freedom in what and how to teach. Nevertheless, she tries to plan the lessons with the main teacher to try to present the learners similar vocabulary in Spanish and in English. The aim of the institution is that students can approach to English in a friendlyRead MoreLearning And Development Of A Child s Development2047 Words   |  9 Pageswords) As I begin studying the Professional Experience module, my aims and aspirations for this module are to develop knowledge and understanding on how to carry out observations, as well as gaining more understanding of the role of observations in a child’s development. I aim to gain more understanding on how to use observations to evaluate the child’s development, by linking theory to practice, and I aspire to develop my knowledge on the role of the practitioner in the child’s development. FromRead MoreStages Of Children s Development1367 Words   |  6 Pagesintegrated groups† (Parten, n.d, p. 263). In other words, as older children appeal to more complex play like cooperative play whereas they play together, younger kids are most likely to appeal to solitary play where they play alone. According to Piaget, this type of play may be observed because â€Å"a child’s mind develops through a series of stages† (Myers Dewall, 2015, p.187). The text also discusses how children under the age of two years are more likely to have stranger anxiety hence they wouldRead MoreNaturalistic Observations Of Naturalistic Observation1765 Words   |  8 PagesWhat is naturalistic observation? How does a researcher collect data when conducting naturalistic observation research? Naturalistic observation gathers data to provide a â€Å"complete and accurate picture of what occurs in a setting,† (Cozby Bates, 2014, P. 119). The observation describes qualitatively events such as how people make decisions and how they solve problems using the skills individually and sometimes as a group think (Cozby Bates, 2014). Naturalistic observations take place in a normativeRead MoreDevelopment Of Early Childhood Development3413 Words   |  14 Pagesactions and thinking patterns for two to six year olds is not wrong, it is just illogical and children these ages cannot perform while thinking about a larger perspective other than themselves; which also makes this so fascinating. In my research and observations, I focused on how children during this developmental stage act and not so much about the cognition and processing a child does to make them behave in these certain ways.The theories and ideas are steadily researched, but less rarely show examplesRead MoreC hildren Should Be Receiving More Than The Curriculum2093 Words   |  9 Pagesrevision and improvement. The key messages from the Framework for Children s Learning for the 3 to 7-year-olds in Wales (The Framework) emphasise that all children should be receiving a good quality environment, experiential learning, sound adult observations and interactions and learn according to their interests. The Framework is essentially the curriculum and must be adopted by all schools in Wales. However, children should be receiving more than the curriculum. Children should be receiving education

C.Ronaldo and Messi Free Essays

World best soccer players C. Ronaldo and Messi Have you ever watched a game of C. Ronaldo and Messi? Their performances are so outstanding that most of soccer fans would think 21th century is the era of C. We will write a custom essay sample on C.Ronaldo and Messi or any similar topic only for you Order Now Ronaldo and Messi. However, there are big differences between C. Ronaldo and Messi. Firstly, their physical conditions are quite different. C. Ronaldo looks like a movie star. He is very tall and has a firm body like a horse. His inverted triangle line seduces a lot of girls and every man envies his body shape. Tight muscles cover all of his body so that we can feel his power even when he is just standing. In contrast, Messi looks like a dwarf. When he was eleven, he was diagnosed with a growth hormone deficiency. So when he stood next to Ronaldo in order to get a prize, he looked humble. And his body is plain and looks like ordinary people. In accordance with the differences in physical condition, their play styles are also different. Ronaldo usually tries to break through defense line with his speed and power coming from his outstanding physical condition. When he is on the dead run, only a few world class defenders can catch up with him. And most of defenders are knocked out by Ronaldo’s wild and strong movement. Furthermore, his shooting is so powerful that he sometimes makes a goal in an incredibly long distance. Messi’s play is very exquisite. Messi developed his own skills to overcome his physical disadvantages. His foot skills are very simple, but no one can stop him because his dribble is so delicate that the ball seems attached to his foot. So whenever defenders tackle him, he easily avoids them and breaks through the defense line like a squirrel. And he prefers accurate shooting to powerful one.. Both C. Ronaldo and Messi are unprecedented soccer players, but they have two distinguishing points, physical condition and play style. In a manner of speaking, it is meaningless to arrange what’s different between them because it is natural that every person in the world has different circumstances and different personality. However people have always been interested in comparing rivals like Superman and Batman, Taegwon V and Mazinga Z. People will always regard Ronaldo and Messi as rivals until they retire. And ‘Who is the greatest soccer player in the world? ’ will be the most interesting question among trillions of soccer fans. People might have different thoughts about who the best soccer player is, but they all would think that it is lucky to watch fantastic plays of Ronaldo and Messi. How to cite C.Ronaldo and Messi, Essay examples

Men Are the Savage and Brutal Forces of Society free essay sample

Compare and contrast how masculinity is explored in two texts you have studied in light of this comment. Masculinity is a theme that has been addressed in society for many years the issue of masculinity is expressed in the texts All new people and Streetcar named desire, the men are seen as brutal forces of society but from different perspectives; One of the 1950’s post war reality and the other reflects the modern freedoms . In the play A Streetcar named Desire, masculinity means aggression, control, physical dominance, and even violence. Accompanying these traits is a general lack of refinement, manners, and sensitivity. One point of view expressed in the play is that this sort of brute masculinity is primitive and sub-human another is that it is attractive and sexually appealing, alternatively freedom and liberalism has left the men in All New People as victims of society, and it has left them without strong role models, power, community, faith or rules. A Streetcar Named Desire presents a sharp critique of the way the institutions and attitudes of postwar America placed restrictions on women’s lives and how men were given power. Williams uses Blanche’s and Stella’s dependence on men to expose and critique the treatment of women during the transition from the old to the new South. Given this power and reliance the men in A Streetcar named Desire, Stanley being great examples see this as a chance to do whatever he wants whenever he wants without a care for anyone. He is the man who likes to lay his cards on the table. He can understand no relationship between man and woman except a sexual one, where he sees the mans role as giving and taking pleasure from this relationship. He possesses no quality that would not be considered manly in the most basic sense. By more sensitive people, he is seen as common, crude, and vulgar. Centering on the male characters in both plays Stanley and Myron both have manual jobs, which emphasizes their masculinity and authority, ‘A Streetcar Named Desire’ is based in a post war society, when men were returning from war and taking back their roles from the women, Stanley is a character who is very proud of his working class background and he sees himself as the head of the household, he is also patriotic. When Blanche calls him a ‘polack’ and he responds by saying ‘I am not a Polack. People from Poland are Poles, not Polacks. But what I am is a one hundred percent American, born and raised in the greatest country on earth and proud as hell of it, so don’t ever call me a  Polack. ’ here we see Stanley’s patriotic side he also uses the Napoleonic code to reassert his masculinity. Stanley asserts his dominance over Blanche by saying ‘Don’t ever call me a Polack’ this is an instruction and Stanley sets boundaries for Blanche. Myron being a similar character to Stanley is a fireman which is a very masculine job as it requires bravery and courage and comes along with the role of saving lives. The stage direction used show Myron is very proud of himself, even though when he should be ashamed of himself, Charlie addresses Myron has a ‘drug problem’ and Myron responds by saying ‘Doesn’t really feel like a problem to me ‘this shows Myron is unaware that his drug use is a problem and it’s a form of escapism for him like alcohol is for Stanley. Charlie’s way to escape from realism was to hang himself he didn’t want to face up to what he did like a man would usually. But when he is interrupted he seeks to avoid loneliness because of his guilt and so he can forget what he did he feels this is a way to take responsibility for what he did but Stanley on the other doesn’t take responsibility of what he has done the rape of Blanche by Stanley is a pivotal, integral truth in the play, without which the play loses its meaning, which is the ravishment of the tender, the sensitive, the delicate, by the savage and brutal forces of modern society. In some ways Charlie and Mitch are quite similar, both characters aren’t taken seriously by their peers, Myron says to Charlie ‘I think you’re making shit up to try to get laid’. Myron doesn’t believe that Charlie was responsible for the death of 6 people. Myron also challenges Charlie’s masculinity by saying ‘And your vibe, frankly, reeks of pussy’. Likewise Stanley and his friends make fun of the fact that Mitch looks after his mother, Stanley says ‘And when he goes home he’ll deposit them one by one in a piggy bank his mother gave him for Christmas’ here Stanley also challenges Mitch’s masculinity by mentioning the fact his mum bought him a piggy bank, this makes him look less of a man as mothers buy things for their young children, Mitch is very different to Stanley as he is unmarried and living with his mother. All the men are vulnerable to an extent when it comes to love, this links into context as Williams was a homosexual in a time period  where it was considered wrong to be gay, he met and fell in love with Frank Merlo in 1947, which then died of lung cancer, and Williams suffered from depression 10 years on. Williams is similar to Mitch, as Mitch lost a former lover and describes it to Blanche ‘She knew she was dying when she gave me this. A very strange girl, very sweet- very! â€℠¢ Here Mitch expresses how nice this woman was, but he lost her. Charlie’s girlfriend left him to travel and that contributed to his breakdown and depression, like wise Zach Braff had a period of depression. Stanley vulnerability is his love for Stella, Stanley bellows â€Å"STELL-LAHHHHH!  Ã¢â‚¬  into the night like a wounded beast calling for the return of his mate when he has a drunken episode. I feel society is a big influence on the men in the two texts, ‘A Streetcar Named Desire’ is set in the early 50’s a time period where men were returning from war, and the SC Government were promoting a ‘patriarchal society’, which empowered men like Stanley who fit into the ‘New America’. There was a renewed focus on family and community, therefore Stanley fits into this mould, as he is a family man. This empowers him as he has the responsibility of being a husband and also the household provider and this reinforces his masculinity. Felicia Harrison Londr’e states ‘the post-war urban-industrial society in which Stanley’s class has gained leverage’- This refers to main re gaining their positions of work and their roles in the household/ work. Whereas ‘All New People’ is in the 20th century where society is much more secular and much more liberal, in the stage play ‘All New People’ Braff presents the characters as condoning to promiscuity and substance abuse. Religion is now more about knowledge rather than faith, for example Emma says ‘I’m catholic, I don’t think we get virgins’ This shows she knows little about the religion she claims to be part of. Back in the 50’s promiscuity was something to be frowned upon; women like Blanche were labelled as a ‘fallen woman’. Stanley lives by his natural instincts and doesn’t believe in civilisation, where as in ‘All New People’ capitalism and individualism is encouraged, all characters are misfits and share one thing in common, due to their freedom, they are lost. It can be argued that society is now too liberal in this day and age. Myron makes a comment- ‘How fucked up is our society?! Guys like Kevin O’Donnell up there on Wall Street are dumping more money into hoes Myron expresses his disgust for the crazy things people do, but yet he possesses many of the same attitudes. Braff portrays the negative effects of modern freedom, including loneliness and feeling like an outcast, Charlie has no one to leave a suicide note for, this shows he is part of a society where every man is for himself, Charlie says ‘Of course I’m lonely’ he isn’t hesitant about saying this and its obvious he wants people around him as the play goes on but he turns people away for a awhile till he finally begins to open up. Myron is an outcast, and there is a clear representation of this when he pulls the noose from the ceiling and the ceiling comes crashing in this is a representation of society falling in and when Myron ‘watches through the window’- this shows he’s an outsider looking in, he doesn’t belong anywhere he goes, he was sacked from teaching and denied by Emma. Towards the end of the story Charlie says ‘Everything’s going to be OK’ – this is ironic as he was the one that needed to be told that at the start, this is reverse physiology. In both plays men can be seen as brutal, Myron threatens to expose Emma; this is an example of him using his masculinity to overpower a woman. But men are less brutal in ‘All New People’ as women have more rights in this era, where as in the 1950’s women had very little say and were dependant on their man, Charlie’s girlfriend left him, and was able to because she isn’t dependant on him like Stella is, and the fact the Stanley knows Stella is dependent on him, empowers him more in the sense that he can manipulate her with no consequences and she’ll come running back to him, because she hasn’t really got a choice. Stella was beaten by Stanley, before the movement of feminism and the ‘Women’s Liberation Movement’, domestic violence was seen as a forbidden subject and in A Streetcar Named Desire Williams shows how society ignored the subject. Domestic violence is a very major subject in ‘A Streetcar Named Desire’. Mitch doesn’t see Stanley hitting Stella as an issue and he says ‘Ho, ho! There’s nothing to be scared of. They’re crazy about each other’

My Main Object In This Story Was, Essays - Charles Dickens

"My main object in this story was, to exhibit in a variety of aspects the commonest of all the vices: to show how Selfishness propagates itself; and to what a grim giant it may grow, from small beginnings" - Charles Dickens about the purpose of his novel: Martin Chuzzlewit (130) "Because the selfish man sees no common interest or bond between himself and the rest of his world he is free from moral compunction, free to construct a false self, mask, r?le, or persona, and at pains to protect his real self from the encroachments of a hostile world." - Joseph Gold (131) "Any kind of imagination separated from its material or emanation becomes a Spectre of Selfhood..." - Blake (134) 12/20/96 Source: Charles Dickens: Radical Moralist Author: Joseph Gold Publisher: The Copp Clark Publishing Company (1972); p. 130 - 146 SELFISHNESS VERSUS GOODNESS AND HYPOCRISY VERSUS CANDOR In his book, Joseph Gold gives us a rundown on how selfishness embodies itself throughout Martin Chuzzlewit. He analyses likely symbols in the book, which gave me more of an insight and a new perspective that helped me view the main characters and their transformation in a different setting. Selfishness and hypocrisy mark their victims with false shells and distorted personalities and lead them to believe in their superiority over mankind. This renders them incapable of experiencing anything real and leave them fumbling after false truths, while taking advantage of the pure at heart. This seems to be the essence of what Gold wants to communicate with his analysis. Pecksniff is the hypocrite who shuns no one when it comes to him making a profit. Unconscious of his inability to self-reflect or perhaps proud of his exalted virtuousness, Pecksniff is the epitome of righteousness, as Gold explains; he is in the book to display the extreme and helps clarify America's role as a "national Pecksniff". Through him do Thomas Pinch and Martin Chuzzlewit the Elder finally open their eyes to their own lesser vices; Pinch's na?ve behavior changes after confronted with the real, or should I say false shell of, Pecksniff, while Chuzzlewit Sr. sees parts of himself in Pecksniff and is at the same time reminded of true virtue, honesty and human interdependence through Thomas Pinch. Gold goes thoroughly into an analysis of the paradigm between Jonas and the Book of Jonah, both characters fleeing from their own selves; it isn't until they accept the wale, as Sairey Gamp puts it, signifying Jonah's return to God in the whale's stomach, that they can reach self-fulfillment. Jonas's"god" is Tigg Montague and their travel is in a coach going to Salisbury. It is here Jonas becomes aware his own self and the path which he has to follow, which ends up with the deaths of Montague and himself. Gold's analysis recognizes the main aspects of the book and his variety of quotes from other analysts/authors supporting his hypothesis (if he was ever unsure!), convinces me of the symbolism present in Martin Chuzzlewit and the very apparent human failings in some of the characters. Charles Dickens: Radical Moralist covers all of the major events and important interactions and relationships between Martin Chuzzlewit's characters and explains their importance for the advancement of the book's story-line. Me reading the MC analysis...!

African American Music essays

African American Music essays By 1945, nearly everyone in the African American community had heard gospel music (2). At this time, gospel music was a sacred folk music with origins in field hollers, work songs, slave songs, Baptist lining hymns, and Negro spirituals. These songs that influenced gospel music were adapted and reworked into expressions of praise and thanks of the community. Although the harmonies were similar to those of the blues or hymns in that they shared the same simplicity, the rhythm was much different. The rhythms often times had the music with its unique accents, the speech, walk, and laughter which brought along with it synchronized movements. (2) The gospel piano style was based on the rhythm section concept, where the middle of the piano was used to support the singers. This area supported the singers by doubling the vocal line in harmony. The bottom, left corner of the piano was used as a bass fiddle while the upper right hand portion played the counter melodies, taking the place of a trumpet or flute. It was the right hand corner that filled in the material during the rhythmic breaks. Often times the text of the gospel songs portrayed meanings of the Trinity, blessings, thanks and lamentations. The singers used the voices to communicate their feelings about Christianity. Many singers sang through the problems and moved their audiences, often congregations, so much so that the audience forgot their own problems temporarily and the weights of the world were taken away through the music. (2) During the beginning of the Golden Age of Gospel (1945-1955), gospel music reached a near perfection and had a huge, devote audience. T he call and response form in particular flourished in the new type of music. The African American gospel song had a unique power and ability to overcome. It was a means of transcending the listeners, singers and entire congregation to a higher spiritual and emotional level. During the post-Civil War years, the congreg...

Art a Play by Yasmina Reza

Art a Play by Yasmina Reza Marc, Serge, and Yvan are friends. They are three middle-aged men of comfortable means who have stayed friends with each other for fifteen years. Since men of their age often lack opportunities to meet new people and sustain new friendships, their courtesy towards and their tolerance for one another’s quirks and affinities have been worn raw. At the opening of the play, Serge is smitten with his acquisition of a new painting. It is a modern art piece (white on white) for which he paid two hundred thousand dollars. Marc can’t believe that his friend bought a white on white painting for such an extravagant amount of money. Marc could not care less about modern art. He believes that people ought to have a few more standards when it comes to determining what is good â€Å"art† and therefore worthy of two grand. Yvan gets caught in the middle of Marc and Serge’s arguments. He does not find the painting or the fact that Serge spent so much to acquire it as offensive as Marc does, but he doesn’t adore the piece as much as Serge does. Yvan has his own real-life problems. He is planning a wedding with a fiancà © turned â€Å"bridezilla† and a host of selfish and unreasonable relatives. Yvan tries to turn towards his friends for support only to be ridiculed by both Marc and Serge for not having a strong opinion in their war over the white on white painting. The play culminates in a confrontation among the three strong personalities. They throw every personal choice that the others disagree with and look down on into each other’s faces. A piece of art, a visual and external representation of inner values and beauty, causes Marc, Yvan, and Serge to question themselves and their relationships to the core.  Ã‚   At his wit’s end, Serge hands Marc a felt tip pen and dares him to draw over his white on white, two hundred thousand dollars, adored, a piece of art. How far will Marc go to prove that he truly doesn’t believe that this painting is actually art? Production Details Setting: The main rooms of three different flats. Only a change in the painting above the mantle determines whether the flat belongs to Marc, Yvan, or Serge.Time: The presentCast Size: This play can accommodate 3 male actors. Roles Marc: Marc is a strongly opinionated man when it comes to what he values and an extremely condescending one towards what he does not value at all. Other people’s feelings do not factor into his decisions or filter the manner in which he talks to them and about them. Only his girlfriend and her homeopathic remedies for stress seem to have any sway over his strong and acerbic personality. On his wall above his mantel hangs a figurative painting that is described as â€Å"pseudo-Flemish† of a view of Carcassonne.Serge: Serge, according to Marc, has recently taken a dive into the world of Modern Art and has fallen head over heels with a newfound respect for it. Modern Art speaks to something within him that makes sense and which he finds beautiful. Serge has recently gone through a divorce and has a dim view of marriage and anyone searching to make a commitment to another person. His rules for life, friendship, and art went out the window with his marriage and now he has fo und peace in the realm of Modern Art where the old rules are thrown out and acceptance and instinct govern what is valuable. Yvan: Yvan is less high strung than his two friends about art, but he has his own issues in life and love that make him just as neurotic as Marc and Serge are. He begins the play stressed about his upcoming wedding and looking for a little support. He finds none. Although the physical production of art on canvas means less to him than it does to the others, he is more in tune with the psychological responses and reasonings behind such responses than either Marc or Serge are. That aspect of his personality is what thrusts him into being the middleman in this fight between friends and why he gets belittled by both of them. He actually cares more about their feelings and well-being than they do for him or each other. The painting above the mantel in his flat is described as â€Å"some daub.† The audience finds out later Yvan’s is the artist. Technical Requirements Art is light on technical requirements for production. Production notes specify the need for only a single set of a man’s flat, â€Å"as stripped down and neutral as possible.† The only object that should change between scenes is the painting. Serge’s flat has the white on white canvas, Marc’s has the view of Carcassonne, and for Yvan, the painting is the â€Å"daub.† Occasionally the actors deliver asides to the audience. Marc, Serge, or Yvan take turns stepping out of the action and addressing the audience directly. Lighting changes during these asides will help the audience understand the break in the action. No costume changes are needed and there are few props required for this production. The playwright wants the audience to focus on the art, the friendships, and the questions the play brings up. Production History Art was written in French for a French audience by playwright Yasmina Reza. It has been translated many times and produced in many countries since its debut in 1996. Art was performed ​on Broadway at the Royale Theater in 1998 for a run of 600 shows. It starred ​Alan Alda as Marc, ​Victor Garber as Serge, and Alfred Molina as Yvan. Content Issues: Language Dramatists Play Service holds the production rights for Art (translated by Christopher Hampton). Inquiries for producing the play may be made through the website.

Extended definition of an object Essay Example | Topics and Well Written Essays - 500 words

Extended definition of an object - Essay Example In the later half of the nineteenth century, the great train wrecks helped the railroad pocket watch serve as a staple for the workers of railway. It was on 18 April 1891 when in Kipton, Ohio, two trains came across each other. An engineer’s pocket watch who was on a passenger train, stopped to function for about four minutes. The temporary dysfunction of the pocket watch was making the train late. The unfortunate event happened when the mail freighter, another train came moving in the same direction as the first train. The second train was heading towards a different side of the town. As a result of the delays caused by the dysfunction of the pocket watch, the two trains did not meet each other at the supposed location. Rather they collided near the town’s edge causing eight casualties that included the two conductors of the respective trains. This unfortunate accident instigated a lot of changes in the rail community. One of the people for whom the incident proved for tunate was Mr. W. C. Ball who was a watchmaker as well as a jeweler and had specialized in the skill of pocket watch making. Ball knew how to keep track of time.

Jean-Louis Baudry and Christian Metz Essay Example | Topics and Well Written Essays - 2500 words

Jean-Louis Baudry and Christian Metz - Essay Example Beginning with Jean-Pierre Oudarts article "La suture," (Oudart 1969, 35-47) the writers associated with Cahiers du Cinema first introduced suture into film theory. In the mid-70s, the concept began to play a major role in the theoretical discussions in Britain and North America, with the result that psychoanalytical studies of the viewing subject have proliferated. In my reading of Wings of Desire, I borrow from several theoreticians of suture, including some who have been at odds with each other concerning the scope and consequence of this concept. Although my reading of Wings of Desire certainly owes much to the French scholars, claims I make concerning Wenders film run counter to the original polemical thrust of their work. For them, suture denotes the operation by which cinema encloses the subject in ideology. Their analysis bears primarily on dominant Hollywood cinema, and they restrict the scope of the suture to the ideological effacement of the cinematic code. They are reduct ive as well with respect to the semiotic system of suturing, posting at times the shot/reverse-shot system or point-of-view cutting as the fundamental cinematic articulation of suture. Other French film theoreticians who complement a general semiotics of cinema with Lacanian notions of the subject and signification, such as Christian Metz and Jean-Louis Baudry, have avoided such a rigid application of suture to the cinematic apparatus and, nevertheless, have arrived at the even more pessimistic conclusion that cinema itself functions as a support and instrument of ideology. (Metz 1974, 39-47) Anglo-American film scholars have expanded on these psychoanalytical theories of cinema without sharing their negative assessment of the basic cinematic apparatus. (MacCabe 1977, 48-76)

Terrorism and Intelligence Failures Essay Example for Free

Terrorism and Intelligence Failures Essay Terrorism by dictionary definition is described as the unlawful use or threatened use of force or violence by a person or an organized group against people or property with the intention of intimidating or coercing societies or governments, often for ideological or political reasons. Terrorism comes from decades of histories of deep national pride, religious disputes and what is seen as an intrusion upon Islamic holy grounds. Terrorist groups try to gain influence and power in order to affect political change on either a local or an international level. They make this possible through the publicity and fear that is generated by their violent acts. Throughout history terrorist groups have caused much devastation and damage, leaving a huge impact on the world. Terrorism is one of the leading problems in today’s society. The terrorist attack against the United States, on September 11th, 2011, clearly demonstrated the power and strength that terrorist groups possess. The causes of these acts come from the instability, oppression, poverty and political alienation that the citizens of many Islamic-Arab nations face. As a result, the people of Afghanistan and many other Arab nations have generated a deep hatred for the United States going back over a hundred years. The American government and intelligence agencies, such as the Central Intelligence Agency, now work harder than ever to prevent such horrifying acts of terrorism from re occurring, since they failed in the prevention of 9/11. â€Å"Terrorism is a complex problem: Its origins are diverse; and those who engage in it, even more so† (Reich, 1). The actions of terrorist groups, as well as terrorists as individuals, are complex. One must recognize that there is not only a single explanation for the act of terrorism. The subject is very intricate and involves a huge diversity of causes and reasons that aid in the explanation and understanding of terrorism. In the book, Origins of Terrorism, Walter Reich examines the psychologies, ideologies, theologies, and the states of mind of terrorists in an attempt to better understand the realms of terrorism. Reich does not only work with terrorism studies itself but instead works within the realms of political science, Islam, history and social psychology to gain a more well rounded understanding of terrorism. Through recognizing the knowledge of these realms, Reich and other scholar’s state this information can contribute to the understanding of the ways in which terrorists view the world and behave in it. Terrorism can be explained as an expression of political strategy. Meaning that terrorist behavior is a willing choice made by an organization for specific strategic reasons. These organizations are very radical political groups that determine that terrorism is the best course of action in accomplishing their political goals. â€Å"The practitioners of terrorism often claim that they had no choice but terrorism, and it is indeed true that terrorism often follows the failure of other methods† (Reich, 10). Failure to mobilize support from masses, lacking of utilization of military power, time constraints and unrealistic expectations cause radical political organizations to turn to terrorism. By choosing terrorism, group members and leaders, willingly accept the risks of challenging the government. The origin of terrorism is as old as humans’ willingness to affect politics through the use of violent acts. Terrorism dates back to first-century Palestine when a Jewish group fought and murdered the Romans and their collaborators who ruled over them. Terrorism went on to be classified as a modern phenomenon. In the twentieth century terrorism was associated with the Italian Red Brigades, the Irish Republican army, the Palestine Liberation Organization and Perv’s shining paths among many others. Terrorism moved away from being based on state action and moved further into a larger aspect of attack against existing political orders. The result of this was due to the growing amount of ethnic nationalism within countries. Groups with strong ethnic nationalism were forming throughout the entire world. Then in the late 1960’s international terrorism became a prominent issue. Terrorism progressed from random killings to massive plans of attacks. Hijacking and bombing had become the favored and popular methods of attack. Organized groups had specific political goals that they carried out through theatrical, symbolic acts of violence. As the twenty-first century came around terrorism started becoming very religiously motivated. Groups like Al-Qaeda, Hamas and Hezbollah come to mind as they justify their acts of violence on Islamic grounds. Terrorism was now not only being used for political reasons but for religious reasons as well. Religiously motivated terrorist groups are the most alarming terrorist threats in today’s world. The rise of Islamic radicalism and militancy began during the 1970’s in the Middle East region of the world. Islamist terrorism is based on the belief that U.S. foreign policy has killed, oppressed and harmed Muslims throughout the Middle East. This belief resulted in a tense relationship between the ‘West’ and the Arab and Muslim nations, creating a great amongst American society. Osama bin Laden was the founder of the most well known Islamic militant organizations called Al-Qaeda. His goal was to remove and end American military presence in the Middle East and Arabian Peninsula, end American support for Israel, return East Timor and Kashmir to Muslim rule and overthrow any Arab regimes that he considered corrupt and insufficiently religious. Al-Qaeda is the most innovative and dangerous terrorist group that has ever existed according the American government and all other countries that have been victims of terrorist acts. It has been known to engage in suicide attacks, kidnappings, hijackings and recruiting new members through the Internet. Al-Qaeda’s operating network consists of a multinational, stateless army, and a radical Sunni Muslim movement calling for Jihad. Jihad is an important religious duty of Muslims that involves the protection and keeping of the Islamic faith. In the book, The Age of Sacred Terror, authors Daniel Benjamin and Steven Simon provides essential insight into the thinking of bin Laden and his followers. Benjamin and Simon talks about bin Laden’s first televised interview with Peter Arnett in March 1997. During his interview he complained and stated, â€Å"the truth is that the whole Muslim world is the victim of international terrorism, engineered by America at the United Nations . We are a nation whose sacred symbols have been looted and whose wealth and resources have been plundered.† Bin Laden continued to state, â€Å"If their people do not wish to be harmed inside their very own countries, they should seek to elect governments that are truly representative of them and that can protect their interests† (Benjamin, 147). Bin Laden gave the people of America a clear warning that he is planning an attack and a war against them. Osama bin Laden issued and signed his second fatwa on February 23, 1998, as the leader of Al-Qaeda. A fatwa is a legal pronouncement in Islam, issued by a religious law specialist on a specific issue. Through the issue of bin Laden’s fatwa, he gave the USA an indictment on the Arabian Peninsula, Iraq and the Middle East. He blames America for occupying lands of Islam and intervening in Middle Eastern affairs. Bin Laden’s goal was to get rid of any Americans getting in the way of his radical Sunni movement. By issuing his second fatwa, bin Laden declared was on the West and Israel. Al-Qaeda also released a video later that year declaring war on the United States and the West as well. After bin Laden had declared war, bombings were carried out on US embassies in Kenya and Tanzania. There was also an attempted bombing of Los Angeles International Airport and then the USS Cole bombing occurred in October 2000. On September 11, 2001, Al-Qaeda attacked the United States once again. This attack not only crushed American ideologies, but also took away the feelings of security that had taken hundreds of years to build. To plan and successfully execute the September 11th attacks, Al-Qaeda terrorists worked for years within the United States using Islamic organizations to coordinate and build their networks. In the book, American Jihad, Steven Emerson tells the story of the terrorists who sought to destroy the United States from the inside. Emerson states, â€Å"Operating in our open society, with freedom of speech and assembly and with only casual oversight from the FB I, the CIA, and the Immigration and Naturalization Service, the worldwide network of militant Islamic organizations has finally been able to coordinate† (Emerson, 3). The idea that terrorists were working within the United States seemed unimaginable, but the attacks of 9/11 proved that it was possible. Bin Laden organized and set up a network of â€Å"cells† in Tucson, Arizona; Brooklyn, New York; Orlando, Florida; Dallas, Texas; Santa Clara, California; Columbia, Missouri; and Herndon, Virginia. He understood that if he recruited U.S. citizens it would help him in his terrorist efforts because they would be allowed to travel freely throughout the world. By having an American passport his followers would not be detected or questioned whether they were a part of or members of a terrorist group. Bin Laden â€Å"made efforts to recruit United States citizens†¦ in order to utilize the American citizens for travel throughout the Western world to deliver messages and engage in financial transactions for the benefit of Al-Qaeda and its affiliated groups and to help carry out operations† (Emerson, 153). Bin Laden was obviously successful in his attack on America, which demonstrated not only to Americans, but also to the rest of the world what great threat terrorism can be to humanity. The success of terrorism depends on the existence of a mass media, which will create and spread the feeling of fear throughout the world. As a result, the attacks of September 11, threw America into a full waged war against terrorism. Military efforts were sent to abroad to Afghanistan and the Bush administration increased domestic efforts in order to prevent future attacks. New ideas and reforms needed to be put in place. American citizens did not understand why the CIA, the biggest intelligence agency in the world, could not prevent such a large scaled terrorist attack from happening. â€Å"The CIA was designed to†¦ â€Å"Connect the dots.† Yet it failed to penetrate sufficiently with human intelligence agents or to fathom analytically with sufficient clarity the Al-Qaeda 9/11 conspiracy that lead to the slaughter of some 3000 individuals on U.S. soil† (Russell, 18). â€Å"The terrorists that intelligence must uncover and track are inert objects; they are living, conniving strategists. They, too, fail frequently and are sometimes caught before they can strike† (Hoge, 146). The intelligence system failed and in order to understand this failure one must understand that the strategic role of intelligence in decision making of foreign policy has been a neglected field of study. The outrage of the intelligence failure forced the Bush administration to fall to political pressure. The administration accepted the 9/11 Commission’s recommendation to the create DNI post. This post was to serve as the president’s chief intelligence advisor and oversee the entire intelligence community, including the CIA. The root cause of the failed penetration of Al-Qaeda’s 9/11 plot, by the CIA, has to do with their failure to marshal the resources that work against Al-Qaeda, which were corresponding with the threat. The CIA did provide the president with a strategic warning about the attacks but it would have been much better if they had access to the Al-Qaeda related information that the FBI had collected. The CIA has also failed to produce spies that are needed to reveal the plans and intentions of America’s enemies. The focus should be put on what can be done to improve intelligence rather than recap evidence of what the CIA did and did not do. Spending more money on intelligence agencies will not necessarily improve American security. Intelligence could be improved by the collection of more important information, the building up of human intelligence throughout the world and recruiting more and better spies. If the American government wants to protect its citizens, property, liberty and interests from attacks of terrorist groups then dramatic reforms need to happen. These reforms would hopefully give the president access to the enemy plans and tactics. â€Å"The systematic failures of American strategic intelligence and the CIA since its inception have been obscured by the political and emotional impulse to examine each and every incident of intelligence failure in isolation and not to put them together into a larger context with other intelligence failures that shared the same root causes† (Russell, 27). Nonetheless, America was in an overall agreement that changes in the American intelligence systems were necessary. The United States Department of Homeland security was created in November 2002 as a new cabinet level agency. This department was responsible for the reorganization of the U.S. federal government. Government bureaucracies dealing with military functions and security were also reorganized. In October 2001, the USA Patriot act was signed into effect reducing the restrictions on law enforcement agencies’ ability to search medical, financial, telephone, e-mail communications and other records. It also eased the restrictions on gathering foreign intelligence within the United States. The Patriot act also gave the Secretary of the Treasury more authority to closely regulate financial transactions, involving foreign persons. Immigration authorities and law enforcement could now detain and deport immigrants that were suspected of being affiliated with acts of terrorism more easily. Author Richard K. Betts suggested, â€Å"The National Security Agency (NSA), the National Imagery and Mapping Agency (NIMA), and associated organizations can increase â€Å"technical† collection – satellite and aerial reconnaissance, signals intelligence, communications monitoring – by buying more platforms, devices, and personnel to exploit them† (Hoge, 148). A Terrorist Finance Tracking Program was actually created to in order to monitor the movements of terrorists’ financial resources. However, the New York Times newspaper leaked this information, which ended th e project. The National Security Agency instead set up an electronic surveillance program that studied telecommunication use by suspected and known terrorists. All the laws and reforms that removed restrictions on governmental authority are notionally good for the overall prevention and protection against terrorism. In certain perspectives the removal of governmental restrictions is advantageous to American security. However, political interest groups have stated that because these new laws remove restrictions on governmental authority, they violate the civil liberties of the American citizens. The American Civil Liberties Union filed the first legal challenge against the Patriot Act. It claimed that the Patriot act violates the rights of the First Amendment, Fourth Amendment and the right to due process. It is a violation because the Patriot act grants the government the right to search a person’s private property without having to inform them that they are being investigated. Former Pr esident Bush stated that the Patriot Act helped convict more than two hundred suspects of being involved with acts of terrorism. On the other hand, the figures of the Justice Department show that there have been complaints of abuse of the Act from about 7000 people. The real question one must ask oneself is if the governments’ unknown investigations are worth the price of freedom and protection from terrorism. â€Å"The deaths of 3,000 people on American soil at hands of a ruthless adversary along with the CIA’s profound misreading of Iraq’s weapons of mass destruction (WMD) capabilities are the latest and greatest and in a long string of U.S. intelligence failures† (Russell, 149). The United States government has heavily concentrated on improving intelligence through bureaucratic approaches. Fighting the war on terrorism became a huge challenge for the United States. The terrorist attacks of 9/11 caused enormous devastation and damage to all the citizens of America. September 11 will never be forgotten as it has left a huge impact on the world. Al-Qaeda is a very serious threat to the United States but there will most likely be many more in the next generations to come. â€Å"The United States needs to rectify the substantial shortcomings in human intelligence collection operations if it is to deal successfully with issues of war and peace in the future† (Russell, 168). The protection of America is in the hands of the government and the intelligence agencies. Terrorism will not end on its own, therefore Americans need to be prepared for what the future has to bring. Terrorism has been around for centuries and will probably always be around. The question is how to handle it and keep it in check. There will always be extremists working against the governments in the world.

The Giver :: essays research papers

He was a peaceful looking man, with a large round belly and rosy red cheeks. Jonas couldn’t help but smile as he stared at the gentle looking figure. The man looked down at the freezing pair. He noticed Jonas’ trembling blue lips and the tiny shaking bundle of blanket that was Gabriel. The man immediately invited Jonas into his home and screamed for his wife to grab blankets and hot chocolate. Jonas sat shyly bundled in blankets as all of the strangers around him whispered to each other about him and Gabe. After a few awkward minutes the man who answered the door appeared with a steaming cup of â€Å"hot chocolate†. The man placed the mug in Jonas’s hands and told him to drink it, and that it would warm him up. Jonas peered over the edge of the goblet at the steaming hot brown liquid. Jonas had never heard of hot chocolate nor tasted it, but was delighted to have something to drink after his lengthy journey. He put the cup up to his mouth and took an enormous gulp. The children in the room giggled as he ferociously clawed at his tongue to try to get rid of the burning feeling. A woman in the room stood and walked over to Jonas and blew gently across the top of the cup. Jonas took another sip, but was more careful to take small amounts this time. He felt the drink flowing through his veins muscles. Jonas let the hot chocolate cool a little and then gave s ome to Gabriel also. Gabriel was now asleep in Jonas’ arms. The owners of the house left Jonas and Gabe alone to warm up, but now Jonas was warm, and curious. He found the adults in the kitchen because the children had been put to bed hours ago. After a complete interrogation by Jonas to the adults, he learned the man who opened the door was named Paul. His wife, the woman who blew on Jonas’ hot chocolate, was named Isabel. The other people who were in the home earlier were simply friends and relatives of Paul and Isabel. Jonas also learned of the name of the town he was now in, it was called Columbus, after an ancient explorer who existed over two-thousand years ago. After Jonas was done asking questions he started telling his story, of how he got there, why he had Gabriel with him, who The

The Walt Disney Company Case Study

BUSMRH 4490 Strategic Management Case 2 The Walt Disney Company: The Entertainment King Kaitlyn Kisiday Alex Maicks Chelsea Parker Jonathan Russ Ryan Terek 1. ) Why has Disney been successful for so long? Disney has sustained prolonged success for a variety of reasons. One source of success was the way Walt and Roy Disney decided to manage the company internally when the organization was founded in 1923. Disney emphasized teamwork, communication, and cooperation in the workplace to make employees feel valued and strengthen their commitment to the company.These values remain at the core of Disney’s corporate culture, and have been formally incorporated into their new-hire training program at the company’s corporate university. With the use of animation, Disney can control an entire entertainment experience, unlike actors, because cartoon characters and their environment can be created and controlled by imagination. Disney’s most distinct corporate skill, according to former CEO Michael Eisner, is the ability to manage that creativity. Eisner encouraged innovative ideas and was protective of the company’s creative efforts even at their earliest development.Emphasis on this development allowed Disney to take advantage of opportunities in the market and often become the first mover. Disney has proved successful at determining which advantages would be sustainable and which should only be temporary. The main contributors to prolonged success have been the results of the key strategic decisions made by the organization regarding diversification. Disney has used diversification to create additional sources of revenue beyond cartoon shorts and feature films by expanding vertically into television, theatre, retail, and the internet.Creating divisions outside production, such as Disney Music Company, Disneyland, Disney Cruises, and DisneyQuest, created cross-promotional opportunities among Disney’s products, services, and strengthened t he brand itself. Disney’s ability to effectively manage both vertical and horizontal integration into a wide array of business activities and projects continues to drive the company’s progress and profit. 2. ) What did Michael Eisner do to rejuvenate Disney? Specifically, how did he increase net income in his first four years?Michael Eisner entered Disney as CEO in 1984, and committed his efforts to producing annual revenue growth and return on stockholder equity in excess of 20%. He also pledged to strengthen the Disney brand and protect corporate values of quality, creativity, entrepreneurship, and teamwork. Believing that â€Å"managing creativity† was Disney’s most unique corporate capability, Eisner was to able harness Disney’s creative and innovative capabilities to maximize profits from new and existing operations. Rebuilding the strength of their television programming and films was an important part of this strategy.Disney increased its pr esence on network television to re-establish Disney as a producer of quality programs, and increase demand for Disney’s other entertainment ventures. The Disney Sunday Movie, debuted on ABC in 1986, and was followed by the popular Golden Girls on NBC, and production of syndicated non-network shows. Disney also increased their screen presence and generated revenue by selling older programs to other networks through a newly created syndication operation. A struggling movie division produced two films, held only 4% of box office share, and generated a profit of only a $1 million 1984 [Exhibit A, page 6].To increase film output, Eisner used the Touchstone label to compete in new segments of the film industry, predominantly comedies, without diminishing Disney’s core audience. These films were produced on moderate and closely managed budgets with intent to be profitable rather than to become the next box-office juggernaut. Disney also increased the output of their animated films though investment in new technology and human capital and the decision to release these films every 12 to 18 months, versus every 4 to 5 years.After four years, the Disney film division reached an averaged output of 15 to 18 films per year, produced the highest earning film in 1988, Who Framed Roger Rabbit, and became the market leader with 19% box office share. Most impressively, income from the movie division grew from $1 million in 1984, to $34 million, $54 million, $131 million, and $186 million in each corresponding year. Income from Disney theme parks increased more than 200% during Michael Eisner’s first years, from $186 million in 1984 to $565 million in 1988 [Exhibit A, page 6].New national advertising, increased park capacity, expanded hours of operation, and increased ticket prices contributed to the short term increase, while investments in new attractions, event spaces, and hotel development would help sustain steady profits into the future. In 1984, income from consumer products totaled $54 million [Exhibit A, page 6]. The new leadership and direction of the company under Michael Eisner from that time renewed the strength of Disney’s brand equity. A stronger brand supported development in the consumer products division of the â€Å"retail as entertainment† concept.The Disney Store, launched in 1987, achieved twice the average rate of sales per square foot in the retail industry. By 1988, income from consumer products totaled $134 million, increasing by more than 140% during Eisner’s first years as CEO. Successful leadership by Michael Eisner at Disney’s top resulted in financial success at Disney’s bottom line. Disney’s net income increased from $242 million in 1984 to $885 million by 1988. Over the same period of time, income growth averaged 40% each year, and Return on Equity reached 24% and 25% in 1987 and 1989, respectively. 3. Does Disney pursue vertical integration? Apply transaction co st economics to understand Disney’s vertical expansion decisions. Disney pursued vertical integration in a variety of ways. Aside from cartoon shorts and animation films, Disney expanded to enter the television, internet, and theme park markets with creations such as Disneyland, DisneyQuest, and the Disney Channel. Disney saw the internet as a possible distribution channel for its film library and its sports and news programming. Disney believed that the internet would soon be where entertainment in the home consolidates.Disney also pursued forward vertical integration. Disney ended their relationship with distribution partner RKO in 1953 and created Buena Vista to save distribution costs for their animated films. Disney was able to save ? of their gross revenues due to this decision to distribution their movies themselves. Disney also further improved the bottom line by avoiding exorbitant salaries by developing the studio's own pool of talent. Disney also employed forward i ntegration through the initiation of Disney Stores.This provided Disney with a wholly owned retail outlet to distribute product through that generated sales per square foot at twice the average rate of traditional retail. Disney Stores allowed Disney total control of customer experience and brand management in that space. The EuroDisney project is an example of Disney’s use of vertical disintegration. Although responsible for the design, development, and operation of the park, Disney did not have a majority ownership. Investment from outside parties limited their initial investment and share of risk.Disney chose to give up sole claim to the profits of EuroDisney in exchange for a fixed percentage of ticket sales and revenues. In many its operations, Disney employs a vertical integration strategy because it eliminates much of the transaction costs that come from working with the market, such as the possibility that the markets may fail. Creating contracts is another cost, as c ontracts take time and are difficult to form in a way that satisfies both parties involved, in an attempt to cover all possible contingencies. In addition, companies have their own, unique motives.When working in the market, there is always risk these other companies will work in their own favor as they come across opportunities that only benefit them. Also, Disney is very committed to holding to their values. This may create another cost in the form of conflict because they may come across differing views and cultures with other companies that do not run their business the same way. 4. ) What corporate strategy does Walt Disney employ? Identify and explain all types of diversification/integration within Disney’s overall corporate strategy.Disney employs both vertical and horizontal integration as part of their corporate strategy. The Walt Disney Company pursues a highly differentiated strategy, operating primarily in five distinct segments: Theme Parks and Resorts, Consumer Products, Media Networks, Studio Entertainment, and Internet and Direct Marketing. Theme Parks and Resorts is Disney’s second highest grossing segment. Included under this segment are all Disney Theme Parks, with the exclusion of EuroDisney, and all other resorts and resort activities.Sports teams, the Anaheim Mighty Ducks and the Anaheim Angels, as well as regional entertainment facilities like ESPNZone and DisneyQuest, are within this business line. Media networks, Disney’s highest grossing business line, can be broken down into two subcategories: Broadcasting and Cable Networks ; International. Broadcasting consists of ABC Television and Radio Network along with associated TV and Radio stations. Cable Networks and International includes ESPN, Disney Channel, Toon Disney, and SoapNet. Various newspapers and periodicals acquired through the ABC merger also fall into this business line.Studio Entertainment is a very diverse segment including: Television, Film, Home Vid eo, theatrical, and music production, as well as, distribution and syndicated TV. Disney has created or acquired multiple movie production companies including Walt Disney Pictures, Touchstone, and Miramax, each company producing a very distinct product with a separate target audience. A similar pattern is identifiable with Disney’s various music production companies; each produces a distinct product with a distinct target market. Television production includes program development in the form of live-action, animation, and pay television services.Consumer Products consists primarily of licensing arrangements with various retailers, promoters, and publishers, where Disney allows third parties to use â€Å"Walt Disney†, Disney characters, and other intangible properties for specific purposes. Consumer Products also includes Disney Stores, Disney’s direct retail outlet. Finally, Disney also produces books, magazines, and audio and computer software for entertainment and educational purposes. Internet and Direct Marketing includes all of Disney’s’ online activities as well as the Disney catalogue. This includes entities such as the Disney catalogue, ESPN. om, Disney. com, GO. com, Etc. Aside from all the aforementioned business activities, Disney is or has been involved in many more projects and lines of business. Disney started an in-house travel company to work with travel agents and airlines to draw customers to Disney Parks and Resorts. Disney created the Disney Development Company to find the best way to utilize Disney’s unused acreage. Disney also has been involved in timeshares, night clubs, theatre operations, Disney On-Ice, and the Disney Parade. 5. ) Evaluate the benefits and costs of each type of diversification.From this analysis state and justify (through quantitative analysis) whether Disney is creating or destroying value via diversification? After analysis, Disney has an obvious benefit of diversification, m ainly because it allows them to expand their initial business idea into several different markets. Disney was able to take a relatable set of characters and ideas in the film industry, and not only maximize the profits from those characters in the form of amusement parks, resorts, and other entertainment facilities, but also expand their business into other markets which may seem nrelated. While the initial start-up cost and recurring operating costs of theme parks, studios, and media networks are high, they have proven to be one of Disney’s highest grossing business ventures. For example, in 2000 theme parks generated $6. 803 billion in revenue and operating income of $1. 62 billion [Exhibit A, page 6]. These theme parks help create and support much of the Disney brand that people think of today, which is one of their strongest sources of value. In the media networks, Disney earned $9. 615 billion revenue in 2000 and produced an operating income of $2. 98 billion. The benefi t of this venture is that Disney is able to spread their brand across the country by reaching cable audiences with the Disney Channel and ESPN stations, as well as local viewers, after their purchase of ABC. Once again, the costs and risk of creating a channel and buying a major television channel comes with high cost, yet Disney is still able to make a profit from this segment of their business. While the film industry had revenues of $5. 994 billion, expenses for the segment are high as they only saw an operating income of $110 million.This is one of Disney’s original lines of business, but it appears Disney has peaked in this segment. Even though profits aren’t as high as other segments of their business, the benefits of this segment still outweigh their costs. Additionally, due to the relatively cheap cost of consumer products line, in 2000 Disney was able to record an operating income of $455 million and with revenues of $2. 622 billion. Disney benefits by selling products related to their highly desired brand, and for a relatively low cost.Unfortunately for Disney, their internet and direct marketing line saw an operating loss of ($402) during 2000, the fourth consecutive loss for this segment. Disney once again tried to carry success over from their well established brand into a new segment. However, the costs and demands of owning and running an internet and direct marketing line appear to be outside of Disney’s core competencies. Even though they may have foresight to predict the importance of e-commerce in retail, Disney has yet to make a profit of this segment.Further supporting the benefits of Disney’s diversification is Disney’s Index on the S;P 500, having reached over 1,000 for the last three years of data provided (1998-2000. ) These marks were the highest Disney has ever reached in this Index, according to the data provided, and achieved at the height of Disney’s diversification. This upholds the posit ion that Disney does produce value through its diversification into many different business ventures. 6. ) Which expansion modes have Disney utilized to implement its corporate strategy?Use facts from the case to identify the benefits and costs of each expansion mode. Disney has pursued three primary forms of expansion: Vertical expansion, Horizontal expansion, and Geographic expansion. Vertical and Horizontal expansion refer to Disney’s various product and business lines, and geographic expansion refers to Disney’s physical presence. Disney owns or has licensed parks on three different continents. By expanding geographically, Disney has become one of the most recognized brands in the world, in large part due to their physical presence.By having operations in multiple counties in several parts of the world, Disney is able to gain expertise and knowledge that can help it more closely connect it to its target market. Creating new parks, resorts, or other entertainment fa cilities carries huge initial start-up costs and recurring fixed costs. It also adds numerous employees and operations that can become difficult to manage efficiently. Expanding horizontally allows firms to take advantage of economies of scale by lowering the average cost per unit by spreading fixed costs over greater production.Another key advantage is the potential to gain new distribution channels. Following the ABC merger, Disney gained over 20 radio stations and many print media outlets. Seemingly, the primary motivation for Disney to integrate horizontally appears to be for economies of scope. Economies of scope is the utilization of a wider array of available resources to new create synergies. After Disney merged with ABC, they were able to utilize economies of scope through cross-promotion. They could advertise and tie-in Disney products on the acquired ABC media outlets and vice versa.Another advantage of vertical integration, made obvious through the merger with ABC, is th e gain in market share. Though not stated explicitly, it’s not difficult to image that Disney may have gained substantial power in negotiations with cable and satellite television providers after merging with ABC. A major cost of horizontal integration comes from a new, bloated company. Departments become redundant across the organization, and the company becomes inefficient. Acquisitions like this also are accompanied by months and months of paperwork that ultimately distracts from the company’s primary operations.Disney and ABC were forced to mesh together two distinct corporate cultures. This can irritate and de-motivate employees, ultimately causing further inefficiency. Vertical expansion can create better coordination within the supply chain. When Disney created its own distribution company, Buena Vista, they were able to directly control all operations involved in the distribution of their media, eliminating the potential costs of negotiations and hold-ups. Anot her benefit captured by creating Buena Vista was the ability to capture downstream profit margin.Vertical expansion could eventually lead to Disney gaining more core competencies. Achieving lower unit cost, better coordination, and increase in core competencies create higher entry barriers for potential competitors. Vertical integration can also cause a firm to become too large and complex to efficiently manage. Owning and operating completely different business’ under the same corporation requires expertise in many different areas be successful, which can be a substantial cost. Exhibit AThe Walt Disney Company Financial Data, 1983 – 2000 ($ millions)

Island of the Sequined Love Nun Chapter 10~14

10 Coconut Telegraph Jefferson Pardee dialed the island communications center and asked them to connect him to a friend of his in the governor's office on Yap. While he waited for the connection, he looked down from his office above the Food Store on the Truk public market: women selling bananas, coconuts, and banana leaf bundles of taro out of plywood sheds; children with bandannas on their faces against the rising street dust; drunk men languishing red-eyed in the shade. Across the street lay a stand of coconut palms and the vibrant blue-green water of the lagoon dotted with outboards and floating pieces of Styrofoam coolers. Another day in paradise, Pardee thought. Pardee had been out here for thirty years now. He'd come fresh out of Northwestern School of Journalism full of passion to save the world, to help those less fortunate than himself, and to avoid the draft. After his two years in the Peace Corps were up – his main achievement was teaching the islanders to boil water – he'd stayed. First he worked for the budding island governments, helping to write the charters, the constitutions, and the re-quests for aid from the United States. That work finished, he found himself afraid to go home. He'd gone to fat on breadfruit and beer and become accustomed to dollar whores, fifty-cent taxis, and a two-hour workday. The idea of returning to the States, where he would have to live up to his potential or face being called a failure, terrified him. He wrote and received a grant to start the Truk Star. It was the last significant thing that he'd done for twenty-five years. Covering the news in Truk was akin to taking a penguin census in the Mojave Desert. Still, deep inside, he hoped that something would happen so that he could flex his atrophied journalistic muscles. Something he could get passionate about. Why couldn't the United States nuke a nearby island? The French did it in Polynesia all the time. But no, the United States nukes one little atoll in Micronesia (Bikini) and they go away, saying, â€Å"Well, I guess that ought to do for twenty-five thousand years or so.† Wimps. Then again, maybe there was something going on out on Alualu. Something clandestine and dirty. Jefferson Pardee had lost his ambition, but he still had hope. â€Å"Go ahead,† the operator said. â€Å"Ignatho, how you doing, man?† Ignatho Malongo, governor's assistant for outer island affairs, was not in the mood to chat. It was lunchtime and he was out of cigarettes and betel nut and no one had come to relieve him on the radio so he could leave. His office was in a bright blue corrugated steel shed tucked behind the offices of the governor. It housed a military-style steel desk, a shortwave radio, a new IBM computer, and a wastebasket full of tractor-feed paper stained with red betel nut spit under a sign that emphatically declared NO SPITTING. He was round, brown, and wore only a loincloth, a Casio watch, and a Bic pen on a string around his neck. He was sweating into a puddle that darkened the concrete floor around his desk. â€Å"Pardee, what do you need?† â€Å"I was wondering if you've heard anything going on out on Alualu?† â€Å"Just the same. Occasionally the doctor radios for supplies to be sent out on the Micro Trader. They're not officially in Yap state, so they don't go through my office. Why?† â€Å"You hear any rumors, maybe from the Micro Trader crew?† â€Å"Like what? The Shark People don't have contact with anyone since I can remember. Just that Dr. Curtis.† Pardee didn't want to be in the business of starting rumors. More than once he'd had to track down a story to find out that it had started with a drunken lie he'd told in a bar that had circulated through the islands, changed enough to sound credible, and landed back on his desk. Still, Malongo wasn't giving anything today. â€Å"I hear they have a new aircraft out there. A Learjet.† Malongo laughed. â€Å"Where did you hear that?† â€Å"I've heard it twice now. A couple of months ago from a guy who said he was going out there to fly it for them and just now from another pilot on his way.† â€Å"Maybe they're starting a new airline. Be serious, Jeff. Are you that desperate for a story? I've got some grants you can write if you need the work.† Pardee was a little embarrassed. Still, he had no doubt that Tucker Case had been contacted by Dr. Curtis. Something was up. He said, â€Å"Well, maybe you can ask the guys on the Trader to keep an eye out. Ask around and call me if you hear anything.† Suddenly Pardee had a flash of motivational inspiration. â€Å"If someone's buying jet airplanes, there might be some untapped government money out there that you guys don't know about.† He could almost hear Malongo snap to attention. Malongo was thinking air conditioner, laser printer, a new chair. â€Å"Look, I'll ask out at the airport. If someone's flying a jet off of Alualu, then they have to use the radio, right?† â€Å"I suppose,† Pardee said. â€Å"I'll call you.† Malongo hung up. Pardee sighed. â€Å"And once again,† he said to himself, â€Å"we lead with the ‘Pig Thief Still at Large' story.† A half hour later the phone rang. The phone never rang. Pardee picked it up and could tell by the clicking that he was being connected off-island. Ignatho Malongo came on the line. He sounded like he was in a better mood. Pardee guessed that he was in a state of foreign aid arousal. â€Å"Jeff, the Trader is in the harbor. Some of the crew was having lunch at the marina and I asked them about your Learjet.† Malongo was smoking a Benson & Hedges and chewing a big cud of betel nut. He was in a better mood now. â€Å"And?† â€Å"No one's seen it, but they did see some Japanese on the island the last time they were there.† â€Å"Japanese? Tourists?† â€Å"They were carrying machine guns.† â€Å"No shit.† â€Å"Do you think this means there's some military money coming our way?† Malongo was thinking air-conditioning, a case of Spam, a ticket to Hawaii to go shopping. Pardee scratched his two-day growth of beard. â€Å"Probably the crew off of a tuna boat. They've been threatening to shoot some of the islanders off Ulithi if they keep stealing their net floats. I'll check with the Australian Navy, see if they know about a Japanese boat fishing those waters. Meantime, I owe you a bag of betel nut.† Malongo laughed. â€Å"You owe me about ten bags by now. How you going to pay if you never leave that shithole of an island?† â€Å"You'll see me soon enough.† Pardee hung up. 11 Paging the Goddess The Shark men had been beating drums and marching with bamboo rifles since dawn, while the Shark women prepared the feast for the appearance of the High Priestess. In her bed chamber the High Priestess was doing her nails. The Sorcerer entered through a beaded curtain, moved up behind her, and cupped her naked breasts. Without looking up, she said, â€Å"You know, I used to get a pretty good buzz doing this in my studio apartment. Close the windows and let the fumes build up. Want a whiff?† She held the polish bottle out behind her. He shook his head. He was in his mid-fifties, tall, thin, with short gray hair and ice blue eyes. He wore a green lab coat over Bermuda shorts. â€Å"Missionary Air just radioed. Their Beech is broken. They're waiting for a part from the States and won't have it fixed for a month. Our pilot's stuck on Truk.† The High Priestess fired a glare over her shoulder and he could feel himself going to slime, changing, melting into the lowest form of sea slug. She could do that to him. Her breasts felt like chilled river rocks in his hands. He stepped away. â€Å"It's all right,† he said. â€Å"I've sent him a message to fly to Yap. He can catch the Micro Trader there tomorrow and he'll be here two days later.† She was not impressed. â€Å"Don't you think it might be a good idea for me to meet this one before he gets here? It took long enough to find him.† The Sorcerer had backed all the way to the beaded curtain. â€Å"You were the one that didn't want any more military types.† â€Å"Because it worked so well last time. It's bad enough I have to be surrounded by ninjas. I don't like it.† The Sorcerer couldn't believe anyone could walk that slowly and still express so much; it was positively symphonic. He said, â€Å"They're not ninjas. They're just guards. This will all be over soon and you can live in a palace in France if you want.† He held his arms out to receive her embrace. She turned on a red spiked heel and quickstepped back to the vanity. â€Å"We'll talk about this later. I have to go on in an hour.† Feeling stupid, he dropped his arms and backed through the beaded curtain. In the distance the Shark People began the chant to call forth the Priestess of the Sky. 12 Friendly Advice Tuck was sweating through a slow-motion dream rerun of the crash. The end of the runway was coming up too quickly. Meadow Malackovitch was bouncing off of various consoles in the cockpit. Someone in the copilot seat was screaming at him, calling him a â€Å"fuckin' mook.† He turned to see who it was and was awakened by a knock on the door. â€Å"Mr. Case. Message for you.† â€Å"Just a second.† Tucker scrambled in the darkness until he found his khakis on the floor, shook them to evict any insect visitors, then pulled them on and stumbled to the door. Rindi, the driver-rapper, stood outside holding a slip of paper. â€Å"This just come for you from the telecom center.† He reached past Tuck and clicked the light switch. A bare bulb went on over the desk. Tuck took the note, dug in his pants pocket for a tip, and came up with a dollar, but Rindi had already shuffled off. The note, on waxy fax paper, was covered with greasy fingerprints. Tuck guessed it had probably passed through a dozen hands before getting to him. He unfolded it and read. To: Tucker Case c/o Paradise Hotel From: Dr. Sebastian Curtis Mr. Case, I deeply regret that my wife will not be able to meet you on Truk as planned. We have reserved a seat for you on tomorrow's Air Micronesia flight to Yap, where we have arranged transport aboard the supply ship, Micro Trader, to Alualu. Your plane will arrive at 11:00 A.M. and the Micro Trader is scheduled to sail at noon, so it will be necessary for you to take a taxi to the dock as soon as you clear customs. I apologize for the inconvenience and would ask that you refrain from discussing the purpose of your visit with the crew of the Micro Trader – or with anyone else, for that matter. It would be unfortunate if this research reached the FAA before it had been thoroughly investigated. Rumors travel quickly in these islands. I look forward to discussing the intricacies of the particular strain of sta-phylococci with you. Sincerely, Sebastian Curtis, M.D. Staphylococci? Germs? He wants to discuss germs? Tuck couldn't have been more confused if the message had been in Eskimo. He folded it and looked again at the fingerprints. That was it. He knew that other people would be reading the note. The germ thing was just a red herring to confuse nosy natives. The bit about the FAA obviously referred to Tuck's revoked pilot's license. In a way, it was a threat. Maybe he ought to find out a little more about this doctor before he went running out to this remote island. Maybe the reporter, Pardee, knew something. Tuck dressed quickly and went down to the desk, where Rindi was listening to a transistor radio with a speaker that sounded like it had been fashioned from wax paper. Someone was singing a Garth Brooks song in nasal Trukese accompanied by an accordion. â€Å"It sounds like someone's hurting animals.† Tuck grinned. Rindi did not smile. â€Å"You going out?† Rindi was eager to get into Tuck's room and go through his luggage. â€Å"I need to find that reporter, Jefferson Pardee.† Rindi looked as if he was going to spit. He said, â€Å"He at Yumi Bar all the time. That way.† He pointed up the road toward town. â€Å"You need ride?† â€Å"How far is it?† â€Å"Maybe a mile. How long you be gone?† Rindi wanted to take his time, make sure he didn't miss any of Tuck's valuables. â€Å"I'm not sure. Do you lock the door at midnight or something?† â€Å"No, I come get you if you drunk.† â€Å"I'll be fine. I'll be checking out in the morning. Can I get an eight o'clock wake-up call?† â€Å"No. No phone in room.† â€Å"How about a wake-up knock?† â€Å"No problem.† â€Å"Thanks.† Tucker went out the front door and was nearly thrown back by the thickness of the air. The temperature had dropped to the mid-80s, but it felt as if it had gotten more humid. Everything dripped. The air carried the scent of rotting flowers. Tuck set off down the road and was soaked with sweat by the time he reached a rusted metal Quonset hut with a hand-painted sign that read YUMI BAR. The dirt parking lot was filled with Japanese beaters parked freestyle. A skeletal dog with open running sores, a crossbreed of dingo and sewer rat, cowered in the half-light coming through the door and looked at him as if pleading to be run over. Tuck's stomach lurched. He made a wide path around the dog, who looked down and resumed concen-tration on its suffering. â€Å"Hey, kid, you're not going in there, are you?† Tuck looked up. There was a cigarette glowing in the dark at the corner of the building. Tuck could just make out the form of a man standing there. He wore some kind of uniform – Tuck could see the silhouette of a captain's hat. Anywhere else Tuck might have ignored a voice in the dark, but the accent was American, and out here he was drawn to the familiarity of it. He'd heard it before. He said, â€Å"I thought I'd get a beer. I'm looking for an American named Pardee.† The guy in the dark blew out a long stream of cigarette smoke. â€Å"He's in there. But you don't want to go in there right now. Wait a few minutes.† Tuck was about to ask why when two men came crashing through the door and landed in the dirt at his feet. They were islanders, both screaming incomprehensibly as they punched and gouged at one another. The one on the top held a bush knife, a short machete, which he drew back and slammed into the other man's head, severing an ear. Blood sprayed on the dust. A stream of shouting natives spilled out of the bar, waving beer bottles and kicking at the fighters. Earless leaped to his feet and backed off to get a running attack at Bush Knife, who was rising to his feet. Earless hit him with a flying tackle as Bush Knife hacked at his ribs. A pickup truck full of policemen pulled into the parking lot and the crowd scattered into the dark and back into the bar, leaving the fighters rolling in the dirt. Six policemen stood over the fighters, slamming them with riot batons until they both lay still. The police threw the fighters into the bed of their truck, climbed in after them, and drove off. Tuck stood stunned. He'd never seen violence that sudden and raw in his life. Ten more seconds and he would have been in the middle of it instead of backpedaling across the parking lot. â€Å"Should be okay to go in now,† said the voice from the dark. Tuck looked up, but he couldn't even see the cigarette glowing now. â€Å"Thanks,† he said. â€Å"You sure it's okay?† â€Å"Watch your ass, kid,† said the voice, and this time it seemed to come from above him. Tucker spun around, nearly wrenching his neck, but he couldn't see anyone. He shook off the confusion and headed into the bar. The skeletal dog crawled from under a truck, seized the severed ear from the dust, and slunk into the shadows. â€Å"Good dog,† said the voice out of the dark. The dog growled, ready to protect its prize. A young man, perhaps twenty-four, dark and sharp-featured, dressed in a gray flight suit, stepped out of the shadows and bent to the dog, who lowered its head in submission. The young man reached out as if to pet the dog, then grabbed its head and quickly snapped its neck. â€Å"Now, that's better, ain't it, ya little mook?† The bar was as dingy inside as it was out. Yellow bug bulbs gave off just enough light to navigate around drunken islanders and a beat-up pool table. An old Wurlitzer bounced American country western songs off the metal walls. A khaki-wrapped hulk, Jefferson Pardee, sweated over a Budweiser at the bar. Tucker slid in next to him. Pardee looked up with red-rimmed eyes. â€Å"You just missed all the excitement.† â€Å"No, I saw it. I was outside.† Pardee signaled for two more beers. â€Å"I thought I told you not to go out at night.† â€Å"I'm leaving for Yap in the morning and I need to ask you some questions.† Pardee grinned like a child given a surprise favor. â€Å"I'm at your service, Mr. Tucker.† Tuck weighed his need for information against the ignominy of telling Pardee about the crash. He pulled the crumpled fax paper from his pants pocket and set it on the bar before the reporter. Pardee lit a cigarette as he read. He finished reading and handed the fax back to Tucker. â€Å"It's not unusual to have changes in travel plans out here. But what's this about bacteria? I thought you were a pilot.† Tucker took Pardee though the crash and the mysterious invitation from the doctor, including Jake's theories about drug smuggling. â€Å"I think the bacteria stuff was just to throw off anyone who got hold of the fax.† â€Å"You're right there. But it's not drugs. There aren't any drugs produced in these islands except kava and betel nut, and nobody wants those except the islanders. Oh, they grow a little pot here and there, but it's consumed here by the gangsta wanna-bes.† â€Å"Gangsta wanna-bes?† Tuck asked. â€Å"A few of the islanders have satellite TV. The people who look like them on TV are gangsta rappers. The old rundown buildings they see in the hood look like the buildings here. Except here they're new and run-down. It's a Coke and a smile and baby formula their babies can't digest. It's packaged junk food shipped here without expiration dates.† â€Å"What in the hell are you talking about, Pardee?† â€Å"They buy into the advertising bullshit that Americans have become immune to. It's like the entire Micronesian crescent is one big cargo cult. They buy the worst of American culture.† â€Å"Are you saying I'm the worst America has to offer?† Pardee patted his shoulder and leaned in close. Tuck could smell the sour beer sweat coming off the big man. â€Å"No, that's not what I'm saying. I don't know what's going on out on Alualu, but I'm sure it's no big deal. Evil tends to grow in proportion to the profit potential, and there's just nothing out there that's worth a shit. Go to your island, kid. And get in touch with me when you figure out what's going on. In the meantime, I'll do some checking.† Tuck shook the reporter's hand. â€Å"I will.† He threw some money on the bar and started to leave. Pardee called to him as he reached the door. â€Å"One more thing. I checked around. I heard that there's some armed men on Alualu. And there was another pilot that came through here a few months ago. Nobody's seen him. Be careful, Tucker.† â€Å"And you weren't going to tell me that?† â€Å"I had to be sure that you weren't part of it.† 13 Out of the Frying Pan Tuck's first thought of the new morning was I've got to catch a plane. His second was, My dick's broke. It happens that way. One has a â€Å"private† irritation – hemorrhoids, menstrual cramps, swollen prostate, yeast infection, venereal disease, bladder infection – and no matter how hard the mind tries to escape the gravity of the affliction, it is inexorably pulled back into a doomed orbit of circular thought. Anything that distracts from the irritation is an irritation. Life is an irritation. Inside Tuck's head sounded like this: I have to catch a plane. I'm pissing fire. I need a shower. Check the stitches. No water. It looks infected. Probably lep-rosy. I hate this place. I'm sure it's infected. When does the water come on? It's going to turn black and fall off. Whoever heard of a place with satellite TV but no running water? I'll never fly again. I'm thirty years old and I have no job. And no dick. And who in the hell was that guy in the parking lot last night? I smell like rancid goat meat. Probably the infection. Gangrene. I can't believe there's no running water. I'm going to die. Die, die, die. Not a pleasant place to be: inside Tuck's head. Outside Tuck's head the shower came on; brown, tepid water ran down his body in gutless streams; pipes shuddered and trumpeted as if trying to extrude a vibrating moose. The soap, a brown minibar made from local copra, lathered like slate and smelled of hibiscus flowers and suffering dog. Tuck dried himself on a translucent swath of balding terry cloth and slipped into his clothes, three days saturated with tropical travel funk. He shouldered his pack, noticing that the zippered pockets had been tampered with and not giving a good goddamn, then trudged down to the front desk. Rindi was sleeping on the desk. Tuck woke him, made sure that the room had been paid by the doctor as promised, then stood in the tropical sun and waited as Rindi brought the car around. It seemed like a very long ride to the airport. Rindi ran over a chicken, then got out and fought an old woman who claimed the chicken, each tugging on a leg, testing the tensile strength of poultry to its limit before Rindi busted a kung fu move that secured his dinner and left the old woman sitting in the dust with a sacred chicken foot in her hand. (The old woman was from the island of Tonoas, where magic chickens were once called up by a sorcerer to level a mountain for a temple, the Hall of the Magic Chickens.) At the airport Tuck gave Rindi a dollar for the cab ride, which was twice the going rate, and waved off the bloody handshake the aspiring gangsta offered. â€Å"Keep the peace, home boy,† Tuck said. 14 Espionage and Intrigue Yap was cleaner than Truk and hotter, if that was possible. Here the beat-up taxis actually had radio antennas to identify them. The roads were paved as well. The airport, another tin roof over concrete pylons, was filled with natives: men in loincloths and topless women in hand-woven wraparound skirts. Tuck caught a cab at the airport and told the driver to take him to the dock. The driver spat out the window and said, â€Å"The ship gone.† â€Å"It can't be gone.† What had moments ago been a pleasant drunk from four airline martinis turned instantly to a headache. â€Å"Maybe it was another ship that left.† The driver smiled. His teeth were black, his lips bright red. â€Å"Ship gone. You want to go to town?† â€Å"How much?† Tuck asked, as if he had a choice. â€Å"Fourteen dollar.† â€Å"Fourteen dollars? It's only fifty cents on Truk!† â€Å"Okay, fifty cents,† the driver said. â€Å"That's your counteroffer?† Tuck asked. He was thinking about what Pardee had said about these islanders absorbing the worst of American culture. This was his chance to help, if only in a small way. â€Å"That's the most helpless bargaining I've ever heard. How do you ever expect your country to get out of the Third World with that weak shit?† â€Å"Sorry,† the driver said. â€Å"One dollar.† â€Å"Seventy-five cents,† Tuck said. â€Å"You find another taxi,† the driver said, digging in his fiscal heels. â€Å"That's better,† said Tuck. â€Å"A dollar it is. And there's another one in it for you if you don't run over any chickens.† The driver put the car in gear and started off. They passed though several miles of jungle before breaking into a brightly lit, surprisingly modern-looking town with concrete streets. Occasionally, they passed a tin house with stone wheels leaning against the walls. The stones ranged from the size of a small tire to seven feet in diameter and were covered with varying degrees of green moss. â€Å"What are those millstone-looking things?† Tuck asked the driver. â€Å"Fei,† the driver said. â€Å"Stone money. Very valuable.† â€Å"No shit, money?† Tuck looked at a piece of fei standing in a yard as they passed. It was five feet tall and nearly two feet thick. â€Å"What do your pay phones look like?† Tuck asked with a grin. The driver didn't find it funny. He let Tucker out at the dock, which was suspiciously shipless. Tuck saw a bearded, red-faced white man sitting in the shade of a forklift, smoking a cigarette. â€Å"G'day,† the man said. He was about thirty. In good shape. â€Å"Impela my tribe?† â€Å"Huh?† Tuck said. â€Å"American, then?† Tuck nodded. â€Å"You Australian?† â€Å"Royal Navy,† the man said. He pulled a hat from behind him and tapped on it. â€Å"Join me?† He motioned for Tuck to sit next to him on the concrete. Tuck dragged his pack into the shade, dropped it, and extended his hand to the Australian. â€Å"Tucker Case.† The Australian took his hand and nearly crushed it. â€Å"Commander Brion Frick. Have a seat, mate. Looks like you been on the piss for a fortnight, if you don't mind my saying.† He handed Tucker a business card. It bore the seal of the Royal Australian Navy, Frick's name and rank, and the designation NAVAL INTELLIGENCE. Tuck looked again at the scruffy Australian, then back at the card. â€Å"Naval Intelligence, huh? What do you do?† â€Å"I'm a spy, mate. You know, secret stuff. Very hush-hush.† Tuck wondered just how secret a spy could be who had his status printed on a business card. â€Å"Espionage, huh?† â€Å"Well, right now we're watching the Yapese Navy don't make a move.† â€Å"Yap has a navy?† â€Å"Only one patrol boat, and she's broken right now. Yapese put gas in the diesel engine. But you can't be too careful, lest the little buggers get it in their mind to launch a surprise attack. That's her over there.† He nodded down the wharf. Tuck spotted a rusted boat designed like a Chinese junk with the word YAP stenciled on the side in flaking orange Rust-Oleum. A half-dozen Yapese, thin brown men with high cheekbones and potbellies, were lounging on the deck in loincloths, drinking beer. Tuck said, â€Å"I guess an attack would be a surprise.† â€Å"Ain't as easy a job as it looks. Yapese can lull you into a false sense of security. They might sit there without moving for two, three weeks, then just when you start to relax, wham, they make their move.† â€Å"Right,† Tucker said. The only damage the patrol boat looked capable of inflicting was a case of tetanus for the crew. A mile past the Yapese Navy waves crashed on the reef, just a line of white against the turquoise sea. Cottony clouds rose out of the sea into shining columns. Tuck scanned the horizon for a ship. â€Å"Is the Micro Trader in yet?† â€Å"Been in and gone,† Frick said. â€Å"She'll be back around in six weeks or so.† â€Å"Dammit,† Tuck said. â€Å"I can't fucking believe it. I need to get to Alualu.† â€Å"Why'd you want to go out there?† â€Å"I'm a pilot. I'm supposed to be flying for a missionary out there.† â€Å"Boys and I were out there in the patrol boat last week. Godforsaken place.† Tuck lit up at the mention of the patrol boat. Maybe he could catch a ride. â€Å"You have a patrol boat?† â€Å"Seventy-footer. Some of the boys are out with it now, tuna fishin' with the CIA. Don't mention it, though. Secret, you know.† â€Å"What's the CIA doing down here?† Frick raised a blond eyebrow. â€Å"Keepin' an eye on the Yapese Navy.† â€Å"I thought you were doing that.† â€Å"Well, I am, ain't I? And when they come back, it's my turn to go fishin'. Lovely, us bein' allies and all. Cuts the work in half. Want to suck some piss?† â€Å"Pardon?† Tuck wasn't ready for any kind of bizarre native customs. â€Å"Drink some beers, mate. If you keep an eye on the Yappies, I'll run down to the store and grab some beers.† â€Å"Sounds good.† Tuck was ready to take the edge off his headache. Besides, there was still a chance for a ride out to the island. Frick put his hat on Tuck's head. â€Å"Right then. By the power invested in me by the Australian Royal Navy, et cetera, et cetera, I hearby deputize you as official intelligence officer until I get back. Do you swear?† â€Å"Swear what?† â€Å"Just swear.† â€Å"Sure.† â€Å"There it is.† Frick started walking off. â€Å"What do I do if they make a move?† â€Å"How the bloody hell should I know?† Tuck watched the Yapese Navy for an hour before they all stood up and left the boat. He was pretty sure that this did not constitute a defense emergency, but just in case he decided to walk up the street to see what had happened to Frick. The pack felt even heavier now, and he guessed that it was the responsibility for Australian people that weighed him down. (A woman had once offered Tucker a goldfish in a bowl, and Tuck had graciously declined it on the basis that it was too much responsibility and would probably die anyway. He felt the same way about the Australians.) The concrete streets of Colonia were bleached white and stained with three-foot red strips of betel nut spit on either side and lined with thick jungle vegetation. Off the streets Tuck could see tin hovels, children playing in the mud, women passing the hottest part of the day combing lice from each other's hair in the shade of a tin-roofed porch. The women wore wraparound skirts, black with brightly colored stripes, and went topless. All but the youngest of them were enormously fat by Western standards, and Tuck felt his idealized picture of the beautiful island girls fade to a lice-infested, rotund reality. Still, there was something in their gentle grooming and in the quiet concentration of the children that made him feel sad and a little lonely. If only he could run into a woman he could talk to. A Western woman – she wouldn't have to know he was a eunuch. He broke out of the jungle into the open street of Colonia's main â€Å"business district.† On one side was a marina with a restaurant and bar (or so the sign said), on the other a two-story, stucco minimall of shops and snack bars. Around it, in the shade of the modern portico, stood perhaps a hundred Yapese, mostly women, some young men in bright blue loincloths, all shirtless. The islanders all had bright red lips and teeth from chewing betel nut. Even the little children were chewing the narcotic cud and spitting periodically into the street. Tuck walked in among them, hoping to find someone to ask about Frick's whereabouts, but none made eye contact. The women and girls turned their backs to him. The men just looked away or pretended to pay attention to sprinkling powdered coral on to a split green betel nut before beginning a chew. He went into a surprisingly modern grocery store and was relieved to see that the prices were in American dollars, the signs in English. He picked up a quart of bottled water and took it to the checkout counter, where a woman in a lavalava and a blue polyester smock rang up his purchase and held out her hand for the money. â€Å"Do you know where I can find Commander Brion Frick?† Tuck asked her. She took his money, turned to the cash drawer, and turned back to him with his change without uttering a word. Tuck repeated his question and the woman turned away from him. Finally he left, thinking, She must not speak English. He ran into Frick coming out of the store. The spy had a six-pack tucked under his arm. â€Å"I was looking for you,† Tuck said. â€Å"The Yapese Navy took off.† â€Å"You could have asked inside. They knew where I was.† â€Å"I did. The woman wouldn't talk to me.† â€Å"Not allowed to,† Frick said. â€Å"It's bad manners to make eye contact. Yapese women aren't allowed to talk to a man unless he's a relative. If a woman and a man are seen speaking in public, they're considered married on the spot. Shame too. Ever seen so many bare titties in all your life? Tough grabbin' a snog if you can't talk to them.† Tucker didn't want to talk about it. â€Å"You were supposed to come back to the wharf.† Frick looked affronted. â€Å"I was on my way. Didn't think you'd desert your post. I hope you're a better pilot than you are a spy. Letting them sneak off like that.† â€Å"Look, Frick, I need to get to Alualu right away. Can you take me in your patrol boat?† â€Å"Love to, mate, but we've got a mission as soon as the boys get back from fishin'. We've got to tow the Yapese patrol boat down to Darwin for repairs. Won't be back for a fortnight at least.† â€Å"Doesn't it make more sense to leave it broken? I mean, in the interest of watching them?† The spy raised an eyebrow. â€Å"What threat are they with a broken boat?† â€Å"Exactly,† Tuck said. â€Å"You obviously don't know a wit about maintaining job security. Mis-sionary Air might take you out, but I hear their plane is down for a while. Fishing boats are all Chinese. Buggers wouldn't piss on you if you were on fire. You might charter a dingy, but I doubt that you'll find anyone willing to take you across four hundred kilometers of open sea in an out-board. There's fellows do it off Perth, but the West Coast is full of loonies anyway. Get yourself a room and wait. We'll take you out when we get back.† â€Å"I don't know if I can wait that long.† Tuck stood up. â€Å"Where should I go to charter a boat?† Frick pointed to a large Mobil oil tank at the edge of the harbor. â€Å"Try heading down to the fueling station. Should be able to find someone down there who needs the gas money.† â€Å"Thanks, Frick, I appreciate it.† Tucker shook the spy's hand. â€Å"No worries, mate. You watch yourself out there. I hear that doctor's a bedbug.† â€Å"Good to know.† He waved over his shoulder as he walked down to the edge of the harbor. A group of women chewing betel nut in the shade of a hibiscus tree turned away from him as he passed. He walked along the bank and looked into the cloudy green water at the harbor's edge. Tiny multicolored fish darted in and out of the shallows, feeding on some kind of shrimp. Brown mud skippers, their eyes atop their heads like a frog's, walked on their pectoral fins across a small mudflat that had formed around the roots of a mangrove tree. Tucker stopped and watched them. They were fish, yet they spent most of their time on land. It was as if they had evolved to a certain point, then just couldn't make a decision to leave the water, grow into mammals, and finally invent personal stereos. For sixty million years they had been hanging out on the mudflats, looking at each other with periscope eyes and goofy froggy grins and say-ing: â€Å"What do you want do?† â€Å"I don't know. What do you want to do?† â€Å"I don't know. Want to go up on the land or stay in the water?† â€Å"I don't know. Let's hang out on the mudflat a little longer.† Tuck completely understood. Although if he had been a mud skipper, after a couple of million years of dragging himself around the mudflat, he would have lost his patience and yelled, â€Å"Hey, can I get some feet over here!†, thus moving evolution along. He was enjoying the superiority of the Monday morning quarterback (And in a world created in six days, what day but Monday could it be?), feeling a little smarter, a little more worldly than the mud skippers, when it occurred to him that he had no idea how to proceed. He could find the telecom center, if there was one, and contact the doctor, but then what would he do? Sit for two weeks on Yap until the Australians returned? Maybe they were wrong. Maybe there was a privately owned plane on the island. What about a dingy? How bad could it be. The sea looked calm enough. That's it, take to the sea. Or perhaps he should just stay on Yap and find a sympathetic woman to take his mind off the problem. It had always worked before, not to pos-itive results, but it had worked, dammit. Women made him feel better. He ached for a Mary Jean Cosmetics consultant. A cool, thin, married woman, armored in pantyhose and a bulletproof bouffant. A sweet, shocked, backsliding Born Again on a one-time sin quest to remind her of why re-demption was so so good. Mud skipper thinking. He was reeling with the heat and the lack of possibilities when he saw her, up ahead, walking by the water's edge, her back to him: a thin blonde in a flowered dress with a swing to her walk like a welcome home parade.